Review: Dave Douglas’s ‘Transcend’

3 months ago

We have barely caught our collective breaths. Only three months after trumpeter and composer Dave Douglas released his outstanding Four…

Finding Through the Unknown: A Conversation with Willy Rodriguez

3 months ago

Where do we go from here? Though we all exist on a linear timescale, humans have always wondered about the…

Review: Jason Moran, BlankFor.ms and Marcus Gilmore’s ‘Shards’

3 months ago

Shards (Red Hook, 2026) is the follow-up to Refract (Red Hook, 2023) by the trio of pianist Jason Moran, electronic…

Letting the Silence In: A Conversation with Nate Wooley

3 months ago

Louis Armstrong once noted that “music is life itself.” Expression through sound is a requisite and inescapable part of human…

Review: Javier Nero Jazz Orchestra’s ‘Alkebulan’

3 months ago

With Alkebulan (Outside in Music, 2026), the Javier Nero Jazz Orchestra returns to explore the diasporic roots of its leader…

Review: Lo Steele’s ‘Only a Drop’

4 months ago

Lauren “Lo” Steele’s debut, Only a Drop (Little Village), is in some respects the female equivalent of Kurt Elling’s Superblue, though invariably even…

Alone with Nature: A Conversation with Caroline Davis on ‘Fallows’

4 months ago

Historical literature is replete with stories of humans being alone with nature. There is some romanticized notion that when one…

Review: Gregory Hutchinson’s ‘Kind of Now: The Pulse of Miles Davis’

4 months ago

Just about everywhere you turn in the jazz universe in 2026, there are albums and tours celebrating the centennial birthdates…

Review: Clovis Nicolas’s ‘Blues in Blueprint’

4 months ago

Seldom will one hear a full album of blues on a jazz recording today, particularly performed as imaginatively as on…

Review: Adam O’Farrill’s ‘Elephant’

4 months ago

Most are probably familiar with Adam O’Farrill for his sidemen work, including with Hiromi’s Sonicwonder, Mary Halvorson’s Amyrillis sextet, Anna…