Review: Harry Skoler’s ‘Echoes’

4 months ago

Despite the instrument‘s long history in improvised music, the clarinet is often still an outlier instrument in contemporary jazz. Yet,…

Between Beauty and Horror: A Conversation with David Torn

4 months ago

David Torn reflects on beauty, horror, and the strange emotional landscapes that emerge when sound transcends genre.

Review: New Jazz Underground’s ‘Hoodies’

4 months ago

The chordless trio, and especially the saxophone trio, continues to thrive in increasingly adventurous ways. New Jazz Underground (“NJU”), a…

Remembering Miles Davis at 100: A Conversation with Marcus Miller

4 months ago

Few figures have shaped the course of modern music as much as Miles Dewey Davis III. His chameleonic career can…

Review: Joe Lovano’s ‘Paramount Quartet’

4 months ago

The performance by Joe Lovano’s Paramount Quartet at the 2025 Big Ears Festival was revelatory, in some ways the polar…

Review: Chris Potter’s ‘Alive with Ghosts Today’

4 months ago

Most listeners don’t necessarily associate saxophonist and composer Chris Potter’s work as sociologically or historically focused. Yet, the saxophonist played a…

Review: Jamile and Vinicius Gomes’s ‘Boundless Species’

4 months ago

The drum-less duo of vocalist Jamile and guitarist Vinicius Gomes, joined by bassist Joe Martin, puts a new spin on…

Opening Your Heart: A Conversation with DoYeon Kim on ‘Wellspring’

4 months ago

Legend tells that Korea’s plucked zither, the gayageum, was developed sometime in the sixth century by King Gashil of the…

Review: ‘Matthew Stevens’

4 months ago

The eponymous release (Candid, 2026) by guitarist Matthew Stevens is not a solo guitar album. He has already released one of those, Pittsburgh (Whirlwind,…

Review: Reverso’s ‘Between Two Silences’

4 months ago

If there was ever a prototypical album to fit this site’s subhead, “Music Beyond Category”, Reverso’s Between Two Silences (Alternate…