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A History of the Newport Jazz Festival – Chapter XII: Expansion, 1995-2003

In the four decades since the Newport Jazz festival first took place in 1954, it became a global brand with its production company-  Festival Productions, Inc.- hosting hundreds of festivals worldwide. But only one other of their events took place in the city-by-the-sea; the Newport Folk Festival. This changed in 1995 with the birth of […]

Review: ‘Impulse! Records: Music, Message & The Moment’ and Sons of Kemet’s ‘Black to the Future’

In 1960, Creed Taylor founded Impulse! Records, which he dubbed “The New Wave in Jazz.” While over time, Impulse! established itself as one of the premier labels in the genre, it was always happiest around categorical edges. Ray Charles’ Genius + Soul = Jazz (Impulse!, 1960) blurred lines between the two styles. Later, Yusef Lateef – as […]

A History of the Newport Jazz Festival – Chapter XI: Futures, 1990-1994

The 1990s was a period of change. The geopolitical order in place for nearly half a century ended with the collapse of the Soviet Union. The first American president to be born after the Second World War took office, bringing different attitudes and policies to the office. Rapid technological development – specifically the rise of […]

A History of the Newport Jazz Festival – Chapter X: Smooth Sailing?, 1984-1989

Created in 1927, The Victor Talking Machine Company of Japan, Limited – more commonly known as Japan Victor Company (JVC) – was originally a Japanese subsidiary of America’s Victor Talking Machine Company. The parent was the most prominent photograph and record company of the era, renown for its Victrola record players. By 1929, the Victor […]

A History of the Newport Jazz Festival – Chapter IX: Homecoming, 1981-1983

“We’re Back” announced the front page of The Providence Journal, complete with a photo of a smiling George Wein, upon the news of the Newport Jazz Festival’s return to America’s First Resort. And while it was indeed a cause for celebration, the newly reborn festival differed significantly from its predecessor. These differences emerged primarily from […]

Making Contact: Max Ribner’s 1st Language

Portland-based flugelhorn and trumpet player Max Ribner makes his solo debut with 1st Language (Self-release, 2021), a colorful tapestry of groove and texture utilizing over 50 collaborators across multiple continents. Ribner’s warm, articulate trumpet sound sits atop some killer rhythm sections interspersed with the sounds of gospel choir, brass band, and a 12 piece string […]