Mary Halvorson gives a wide range of effects and musical roles to her guitar, and the result is always idiosyncratic. The guitarist’s compositions have a complex, innovative edge, and Cloudward (Nonesuch, 2024) is more evidence as to why she deserves all the acclaim that comes her way. The intensity and progression of “Desiderata” is a fantastic display […]
On February 17, 2018, pianist Kris Davis played in the second of two concerts at Harvard University to honor the late jazz pianist Geri Allen. It was a fantastic night of music worthy of Allen’s tremendous talent. Davis took the stage in various ensembles, with some featuring drummer Terri Lyne Carrington, who had also curated […]
The debut recording of Tomas Fujiwara’s Triple Double was extraordinary. The two-drum (Fujiwara and Gerald Cleaver), two-guitar (Mary Halvorson and Brandon Seabrook), and two-horn (Taylor Ho Bynum on cornet and Ralph Alessi on trumpet) structure of the band is something rarely seen. Even in the bold avant-garde scene that Fujiwara frequents. After the release of […]
Jonny Greenwood is primarily known as the guitarist of Radiohead, but he also has a superb discography of film scores. Based on the sublime Phantom Thread (Nonesuch, 2018), and the alluring anxiety of The Master (Nonesuch, 2012), in many ways Greenwood was the perfect composer for Spencer (Mercury KX, 2021). These brilliant compositions do a […]
Multi-instrumentalist Taja Cheek, who records under the moniker L’Rain, creates a unique experience in Fatigue. The album is kaleidoscopic and unpredictable. Cheek envelopes the listener in her world with a combination of impressive musicianship, production, and field recordings. The album is full of beautiful moments, an early one being how Cheek embellishes a live gospel […]
It hasn’t even been a year since Thumbscrew released their superb record in tribute to Anthony Braxton, but the trio is already back with Never Is Enough (Cuneiform Records, 2021). Braxton’s influence is still apparent, especially in the more rigid moments, but this album is a completely different experience. For much of the runtime, the […]
The first song on BRASS (Backwoodz Studioz, 2020), “Furies”, was the beginning of something special. Although Moor Mother and billy woods had connected before on “Ramesses II” by Armand Hammer (woods and ELUCID), “Furies” was the first time they recorded as a duo. The track was originally released as part of the Adult Swim single […]
As the PostGenre Team is working on their list(s) of Favorites from 2020, here is a flashback to Brian Kiwanuka’s 2019 list. This list originally appeared at Nextbop. 10. Brandee Younger – Soul Awakening (Self Release) The harp is a spellbinding instrument and throughout Soul Awakening Brandee Younger is a sorceress. The harpist’s playing is […]
Ten tracks into E L U C I D’s Valley of Grace (Backwoodz Studioz, 2017), the rapper declared that “nothing’s broken, this is how it’s supposed to run” on “Talk Disruptive For Me”. At that point in the EP, if the listener did not know that he was talking about systemic racism, they had not […]
With a first track as striking as “Radiance In Veils”, one immediately gets the sense that Cat Toren’s Human Kind’s Scintillating Beauty (Panoramic Recordings, 2020) is an album that will live up to its name. The tune is an epic Cat Toren original that moves from serenity to overwhelming force – in one instance in […]
