It would be hard to find a trio better equipped to tackle an entire album of saxophonist Anthony Braxton’s compositions than Thumbscrew. Braxton is an accomplished veteran of the avant-garde, free improvisation, and everything in between. Mary Halvorson (guitar), Tomas Fujiwara (drums, vibraphone), and Michael Formanek (bass) do not approach The Anthony Braxton Project (Cuneiform […]
Pianist Gerald Clayton first came to the attention of many jazz fans by way of the late Roy Hargrove’s quintet on Earfood (Emarcy, 2008). Since then, the musician has grown to be a fine bandleader in his own right. He has released nothing but high-quality work, with a notable artistic shift between 2011’s Bond: The […]
Cellist Okkyung Lee is best known for her visceral attack and extended techniques, which can be heard on past albums such as Ghil (Ideologic Organ, 2013). On Yeo-Neun (Shelter Press, 2020), she embraces the delicacy of chamber music, leading a quartet including Maeve Gilchrist (harp), Eivind Opsvik (bass), and Jacob Sacks (piano). Lee has not […]
In their debut and the live album released a year ago, Irreversible Entanglements wowed audiences with energetic free-jazz poetry performances, and that doesn’t stop on Who Sent You? (International Anthem, 2020). Camae Ayewa does not have as many lines as on the band’s first album, but whenever she does speak she is as effective as […]
On Purple Moonlight Pages, R.A.P. Ferreira is extremely loose and free, at times even nonchalant, but he is always impressive and in control. The emcee’s intriguing abstract nature, wit, confidence and unwavering commitment to the craft of imaginative rhyming all combine in a performance that will undoubtedly go on to be remembered as one of […]
