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2020 PostGenre Hall of Fame Inductee: Igor Stravinsky’s “The Rite of Spring”

On May 29, 1913, a violent brawl broke out between the audience at Paris’ brand-new venue, the Théâtre des Champs-Elysées. There was such extreme brutality the police were called to restore order among the furious crowd but ultimately proved ineffective as attendees continued to throw punches mid-performance. The scene was so chaotic that the mastermind […]

2020 PostGenre Hall of Fame Inductee: Louis Armstrong and his Hot Five’s “West End Blues”

Jazz fans can be a disputatious lot, yet if there’s something on which we all can agree it’s this: the four clarion quarter notes that begin Louis Armstrong’s 1928 Okeh recording of “West End Blues” herald the birth of jazz as we know it.  The foundational elements of the jazz DNA as we know it–flashing […]

Moor Mother and billy woods’ ‘Brass’

The first song on BRASS (Backwoodz Studioz, 2020), “Furies”, was the beginning of something special. Although Moor Mother and billy woods had connected before on “Ramesses II” by Armand Hammer (woods and ELUCID), “Furies” was the first time they recorded as a duo. The track was originally released as part of the Adult Swim single […]

2020 PostGenre Hall of Fame Inductee: J Dilla’s ‘Donuts’

Far too many of music’s most innovative minds have died at a shockingly young age. Mozart, “Bird,” Dolphy, and Hendrix are just a few of the lights extinguished before age 40. Most of these fallen artists pass suddenly or after a few weeks, not after a long illness. This abruptness often leaves the artist without […]

2020 PostGenre Hall of Fame Inductee: John Zorn’s ‘Naked City’

2020 marks the 25th Anniversary of multi-instrumentalist/composer/ producer John Zorn’s founding of Tzadik Records. An incredibly prolific label, Tzadik Records also has an overtly diverse output. Our site initially planned a month-long celebration of some of the label’s releases. However, the chaos of the past year derailed those plans.  Before Tzadik, Zorn released a series […]

Anthony Dean-Harris’ Best “Jazz” Albums of 2020

[Editor’s Note: We are honored to have Anthony Dean-Harris join us as a special contributor for this year’s lists. Several of our staff have worked with Anthony on other projects in the past and greatly respect his insight and skills as both a writer and broadcaster. More information on Anthony can be found at https://www.anthonydeanharris.com/.] […]

The Editor’s Reflections on a Crazy Year and his Best of 2020

Historians will probably remember 2020 primarily for the COVID pandemic, movements for racial justice, and lots and lots of politics. While all of that is true, to me it will also mark the creation of this site. Postgenre was born on February 20, 2020, less than a month before state and local governments would begin […]

Review: Brandee Younger & Dezron Douglas’ ‘Force Majeure’

Black’s Law Dictionary (8th ed.) defines force majeure as “an event that can be neither anticipated nor controlled.” A party to a contract may be discharged of their duty to perform under said contract upon showing the occurrence of some unforeseeable event outside of their control which rendered their performance impossible or impractical. The concept […]

Brian Kiwanuka’s Favorite Jazz Albums of 2019

As the PostGenre Team is working on their list(s) of Favorites from 2020, here is a flashback to Brian Kiwanuka’s 2019 list. This list originally appeared at Nextbop. 10. Brandee Younger – Soul Awakening (Self Release) The harp is a spellbinding instrument and throughout Soul Awakening Brandee Younger is a sorceress. The harpist’s playing is […]