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Review: Thumbscrew’s ‘The Anthony Braxton Project’

It would be hard to find a trio better equipped to tackle an entire album of saxophonist Anthony Braxton’s compositions than Thumbscrew. Braxton is an accomplished veteran of the avant-garde, free improvisation, and everything in between. Mary Halvorson (guitar), Tomas Fujiwara (drums, vibraphone), and Michael Formanek (bass) do not approach The Anthony Braxton Project (Cuneiform […]

A History of the Newport Jazz Festival – Prologue: Born in Storyville, 1950-1954

In September of 1950, twenty-four-year-old George Wein used his college savings to open a nightclub, Storyville, at Boston’s Copley Square Hotel. The venue boldly planned to present jazz in a new light. Taking its name from the legendary New Orleans district of debauchery, brothels, and flophouses from whence the music came, the budding entrepreneur planned […]

Review: Gerald Clayton’s ‘Happening: Live at the Village Vanguard’

Pianist Gerald Clayton first came to the attention of many jazz fans by way of the late Roy Hargrove’s quintet on Earfood (Emarcy, 2008). Since then, the musician has grown to be a fine bandleader in his own right. He has released nothing but high-quality work, with a notable artistic shift between 2011’s Bond: The […]

Musical Mentors: Gary Bartz & Maisha’s ‘Night Dreamer’ and Archie Shepp, Raw Poetic & Damu the Fudgemunk’s ‘Ocean Bridges’

The term “mentor” comes from a character in Homer’s Odyssey, an epic written in the 8th Century BCE. However, the concept of mentorship dates back to an even earlier era. Some historians suggest that the concept may be as old as humanity itself. Though hardly novel, there can be significant benefits to both parties. From […]

Review: Roy Ayers, Adrian Younge & Ali Shaheed Muhammad’s ‘Roy Ayers JID 002’

Humanity has a longstanding fascination with incorporating the latest technological developments into music. This interest is perhaps most evident in the history of sampling. In the 1940s, Pierre Schaeffer started producing sonic collages by splicing and manipulating sound recordings. His works formed the base of an experimental form known as musique concrète, an avant-garde progenitor […]

Beating with Heart: Alexander Flood’s Percussive Exploration of Cultures and Technology

In 2015, Christian Scott Atunde Adjuah created the Stretch Music imprint with Ropeadope Records to support jazz rooted genre blind music that encompasses a wide range of other musical forms and cultures. While its releases have aptly fulfilled this goal, thus far they have been confined solely to the trumpeter’s own boundary-defying works. Before even […]

Review: Norah Jones’ ‘Pick Me Up Off the Floor’

When many think of Texas, the first musicians that may come to mind are Bob Wills, Stevie Ray Vaughn, or Willie Nelson. However, these legendary figures are, in some ways, each mere reflective points. Historical emergence from the melding of countless Native, Latin, African, and European cultures has produced a rich yet underreported musical heritage. […]

Review: The Brecker Brothers’ ‘Live and Unreleased’

The Brecker Brothers, throughout their twenty-year career, always embodied an interesting duality in their music. On the one hand, every member was accomplished in pop, funk, and R&B, performing on seminal albums with everyone from Frank Zappa to Parliament-Funkadelic. Their recordings are infused with a unique tightness of the horns and a deep groove, both […]