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Miles Davis’ Bitches Brew 50th Anniversary Celebration- Part One: The Compositions

On March 30, 1970, Miles Davis shocked the world with his groundbreaking Bitches Brew (Columbia Records, 1970). Although the trumpeter had been increasingly trending towards merging jazz with rock since at least Miles in The Sky (Columbia Records, 1968), Brew destroyed any divide between the two. At the time, some close-minded critics accused him of […]

Review: Nduduzo Makhathini’s ‘Modes of Communication: Letters from the Underworlds’

Due to the nation’s rich jazz history, it may appear surprising that a 2020 release – Nduduzo Makhathini’s Modes of Communication: Letters from the Underworlds (Blue Note Records, 2020) – is long-standing labels’ first by a South African musician. While the pianist will receive much coverage based on this fact alone, that singular focus improperly […]

Review: R.A.P. Ferreira’s ‘Purple Moonlight Pages’

On Purple Moonlight Pages, R.A.P. Ferreira is extremely loose and free, at times even nonchalant, but he is always impressive and in control. The emcee’s intriguing abstract nature, wit, confidence and unwavering commitment to the craft of imaginative rhyming all combine in a performance that will undoubtedly go on to be remembered as one of […]

Review: Lakecia Benjamin’s ‘Pursuance: The Coltranes’

In the over fifty years since John Coltrane’s death, dozens, if not hundreds, of recordings have honored his artistic genius. The sheer quantity seemingly dwarfs even the number of releases by the saxophonist during his lifetime. This, of course, raises a fairly simple question: does the world truly need yet another homage to Coltrane? If […]

Review: Hailu Mergia’s ‘Yene Mircha (የኔ ምርጫ)’

In January 2013, Brian Shimkovitz, the head of Awesome Tapes From Africa, found a cassette tape in a shop in Bahir Dar, Ethiopia titled Hailu Mergia & His Classical Instrument. Its combination of the nation’s traditional music with funk and jazz completely blew him away and he undertook a quest to share it with the […]

Review: Charles Lloyd’s ‘8: Kindred Spirits (Live from the Lobero)’

For one unfamiliar with Charles Lloyd’s illustrious discography, an octogenarian NEA Jazz Master may seem like an odd focal point for a site focused on music that pushes beyond categorical lines. However, the saxophonist has spent his entire career defying convention. From his early sideman recordings with Chico Hamilton to his more recent Marvels group, […]

Review: George Burton’s ‘Reciprocity’

Ralph Waldo Emerson once noted that “to be yourself in a world that is constantly trying to make you something else is the greatest accomplishment.” Whether one’s expectations on another person, of an artist’s output as a certain type, or one’s inflated self-perception, far too often images are depicted and enforced which do not align […]

Five Genre-Defying Selections from the Newport Jazz Festival’s First Wave of 2020 Performers

The historic Newport Jazz Festival has released a list of 36, out of approximately 60, groups which will appear across its four stages at Fort Adams this summer. As the first modern music festival, one may mistakenly assume that most of the acts reflect a more traditional view of jazz. While some masters of this […]

Review: Ben Williams’ ‘I AM A MAN’

On February 1, 1968, a malfunctioning garbage truck fatally crushed two black Memphis sanitation workers – Echol Cole and Robert Walker. Their passing was in many ways directly the fault of Henry Loeb, the city’s white supremacist mayor. Loeb previously served as the Memphis’ Public Works Commissioner, a role in which he undertook several steps […]