Odyssey: Nubya Garcia Previews her 2025 Newport Jazz Festival Performance

7 months ago

In 1963, Gunther Schuller coined the term Third Stream to identify what he saw as "a new genre of music…

Review: Etienne Charles’ ‘Gullah Roots’

7 months ago

Trumpeter/percussionist/bandleader/composer/educator Etienne Charles is mostly known for his Creole Soul band and orchestrations. On Gullah Roots (Culture Shock, 2025), the…

Always Listening: A Conversation with Deborah Ross, Executive Director of the Joyce and George Wein Foundation

7 months ago

In the history of improvised music, few figures have brought the music to new audiences as much as George Wein.…

Migration of Knowledge: A Conversation with Gaia Wilmer and Ra Kalam Bob Moses

8 months ago

Zoösemiotics, the study of how animals use signals - including sounds - to convey information is an underappreciated field. Its…

Review: Itai Kriss’ ‘Daybreak’

8 months ago

New York-based flutist Itai Kriss leads his quartet and special guests on Daybreak (JoJo, 2025), an album sequenced to follow…

Review: James Brandon Lewis Quartet’s ‘Abstraction Is Deliverance’

8 months ago

Tenor saxophonist James Brandon Lewis has established himself as the most versatile tenorist on the scene today in a relatively…

Review: Julian “J3PO” Pollack’s ‘Soul & Circuitry’

8 months ago

With Soul & Circuitry (Ropeadope, 2025), Los Angeles-based pianist/keyboardist/electronics wizard/producer Julian “J3PO” Pollack issues his second album on one of…

Review: Amina Claudine Myers’ ‘Solace of the Mind’

8 months ago

Every so often, an album moves beyond music, carrying the listener to an array of deeply reflective moods. Last year,…

For Those Who Need to Hear It: A Conversation with Chris Weller on Hanging Hearts

8 months ago

The great Cameroonian musician Manu Dibango once sagely noted that “Although music is business, [] you don't start thinking about…

Review: Joshua Redman’s ‘Words Fall Short’

8 months ago

Joshua Redman did not follow suit after his first vocal album, where are we (Blue Note, 2024).  Sure, vocalist Gabrielle…