Review: Matthew Shipp’s ‘The Cosmic Piano’

9 months ago

Pianist and composer Matthew Shipp seems to be garnering as much publicity for his criticisms of André 3000’s piano album…

Review: Ivo Perelman and the Matthew Shipp String Trio’s ‘Armageddon Flower’

9 months ago

If you have not yet read the two-part interview with saxophonist Ivo Perelman and pianist Matthew Shipp regarding Armageddon Flower…

Trusting Fate: A Conversation with Brandee Younger

9 months ago

Across cultures and ages, the harp has long been associated with peace and tranquility. Its light tones are painted as…

Letting the Spirit In: A Conversation with Amina Claudine Myers on ‘Solace of the Mind’

9 months ago

In a music so heavily built around collective communication, there is something inherently special about a solo performance. Far too…

Past, Present, and Future: Day One of the 2024 Newport Jazz Festival

9 months ago

One criticism occasionally levied against the more recent editions of the iconic Newport Jazz Festival is that it somehow abandoned…

Review: Isaiah J. Thompson’s ‘The Book of Isaiah: Modern Jazz Ministry’

10 months ago

My review of emerging piano great Isaiah J. Thompson’s Power of the Spirit (Blue Engine, 2023) ended thusly: “a must-have…

Giving Up Control: A Conversation with Ivo Perelman and Matthew Shipp on ‘Armageddon Flower’ (Part Two)

10 months ago

We continue our conversation with Ivo Perelman and Matthew Shipp on ‘Armageddon Flower’ (TAO Forms, 2025). You can read Part…

Giving Up Control: A Conversation with Ivo Perelman and Matthew Shipp on ‘Armageddon Flower’ (Part One)

10 months ago

In Lonely on the Mountain (Bantam, 1980), Western novelist Louis L’Amour wisely noted that "there will come a time when…

Review: Ches Smith’s ‘Clone Row’

10 months ago

One never knows where drummer-composer Ches Smith’s muse will take him next. From the Haitian voudou of We All Break:…

Fighting the Algorithm: A Conversation with Ken Vandermark on his No Idea Festival Residency

10 months ago

A city that prides itself on being both outside of the status quo ("Keep It Weird"), and the Live Music…