Review: ‘Trio of Bloom’ with Nels Cline, Craig Taborn, and Marcus Gilmore

12 months ago

Trio of Bloom (Pyroclastic, 2025) is the first meeting of three titans of creative music, artists to whom genres and…

Review: Henry Threadgill’s ‘Listen Ship’

12 months ago

Audiences who saw artist-in-residence Henry Threadgill at Big Ears in 2024 were enthralled with five performances, each featuring a different…

Review: Carmen Staaf’s ‘Sounding Line’

12 months ago

Carmen Staaf’s Sounding Line (Sunnyside, 2025) is the second album recently covered on this site that envisions a conversation between…

Hearing the Future: A Conversation with Gary Bartz on ‘The Eternal Tenure of Sound: Damage Control’

12 months ago

As a vehicle to facilitate group improvisation - or collaborative creation in the moment, as some artists refer to it-…

Review: Gary Bartz’s ‘The Eternal Tenure of Sound: Damage Control’

12 months ago

One of our few links to bands of Miles, McCoy Tyner, Pharaoh Sanders, Lee Morgan, and Roy Hargrove, NEA Jazz…

Review: Charlie Rouse’s ‘Cinnamon Flower: The Expanded Edition’

1 year ago

This is the year that some of us learned that tenor saxophonist Charlie Rouse was a leader of other bands…

Review: Patricia Brennan’s ‘Of the Near and Far’

1 year ago

A fierce expansion on the percussive focus of More Touch (Pyroclastic Records, 2022) and the addition of intricate saxophone parts…

Review: Shuteen Erdenebaatar and Nils Kugelmann’s ‘Under the Same Stars’

1 year ago

Under the Same Stars (Motéma, 2025) is the second installment of Mongolian-born and Germany-based pianist-composer Shuteen Erdenebaatar’s planned trilogy drawing…

Review: Nicole Zuraitis’ ‘Live at Vic’s Las Vegas’

1 year ago

Go ahead and try this - Ask your friends who the most prominent female jazz vocalists have been in the…

Review: Dave Douglas’ ‘Alloy’

1 year ago

With Alloy (Greenleaf, 2025), trumpeter, composer, and forward thinker Dave Douglas unveils his latest unique ensemble. Joined by two young…