Review: Ivo Perelman and the Matthew Shipp String Trio’s ‘Armageddon Flower’

1 year ago

If you have not yet read the two-part interview with saxophonist Ivo Perelman and pianist Matthew Shipp regarding Armageddon Flower…

Trusting Fate: A Conversation with Brandee Younger

1 year ago

Across cultures and ages, the harp has long been associated with peace and tranquility. Its light tones are painted as…

Past, Present, and Future: Day Three of the 2024 Newport Jazz Festival

1 year ago

We conclude our review of the 2024 Newport Jazz Festival – read day one here and day two here – by continuing…

Letting the Spirit In: A Conversation with Amina Claudine Myers on ‘Solace of the Mind’

1 year ago

In a music so heavily built around collective communication, there is something inherently special about a solo performance. Far too…

Past, Present, and Future: Day Two of the 2024 Newport Jazz Festival

1 year ago

With our review of the second day of the 2024 Newport Jazz Festival - read day one here - we…

Past, Present, and Future: Day One of the 2024 Newport Jazz Festival

1 year ago

One criticism occasionally levied against the more recent editions of the iconic Newport Jazz Festival is that it somehow abandoned…

Review: Isaiah J. Thompson’s ‘The Book of Isaiah: Modern Jazz Ministry’

1 year ago

My review of emerging piano great Isaiah J. Thompson’s Power of the Spirit (Blue Engine, 2023) ended thusly: “a must-have…

Giving Up Control: A Conversation with Ivo Perelman and Matthew Shipp on ‘Armageddon Flower’ (Part Two)

1 year ago

We continue our conversation with Ivo Perelman and Matthew Shipp on ‘Armageddon Flower’ (TAO Forms, 2025). You can read Part…

Giving Up Control: A Conversation with Ivo Perelman and Matthew Shipp on ‘Armageddon Flower’ (Part One)

1 year ago

In Lonely on the Mountain (Bantam, 1980), Western novelist Louis L’Amour wisely noted that "there will come a time when…

Review: Ches Smith’s ‘Clone Row’

1 year ago

One never knows where drummer-composer Ches Smith’s muse will take him next. From the Haitian voudou of We All Break:…