Review: EYOT’s ‘557799’

4 years ago

American musicians have been experimenting with Balkan-esque rhythms since at least 1959 when Dave Brubeck brought the 2 + 2…

Review: Emi Makabe’s ‘Anniversary’

4 years ago

The title cut of Emi Makabe's debut full-length release, Anniversary (Greenleaf Music, 2020), is a graceful, bittersweet waltz about the…

Review: Small Bills’ ‘Don’t Play It Straight’

4 years ago

Ten tracks into E L U C I D's Valley of Grace (Backwoodz Studioz, 2017), the rapper declared that "nothing's…

Underappreciated Giant: Marc Urselli on ‘Angelheaded Hipster’ and the legacy of Hal Willner

4 years ago

There are no words to soothe this grief-stricken year. As the COVID-19 pandemic ebbs on, artists everywhere are faced with…

Review: ‘Luke Stewart Exposure Quintet’

4 years ago

Free Jazz/Avant-Garde is at its most expressive when it presents itself as a collective experience. A singular unit that exists…

Traveling the Spaceways: Sun Ra Arkestra’s ‘Swirling’ and M’Lumbo and Jane Ira Bloom’s ‘Celestial Mechanics’

4 years ago

Sun Ra was born on the planet Saturn sometime presumably in the early 20th Century. Some historians mistake him for…

Review: Bootsy Collins’ ‘The Power of the One’

4 years ago

Far too often when people succeed in their field, it becomes far too easy for them to cling to that…

Review: Butcher Brown’s ‘#KingButch’

4 years ago

Here’s a tip for whoever is reading at the Richmond, Virginia Chamber of Commerce: when you produce your next showcase…

Review: Azymuth, Adrian Younge & Ali Shaheed Muhammad’s ‘Azymuth JID 004′

4 years ago

In the field of astrodynamics, azimuth is essentially a way of navigating based on an established location, usually true North.…

Review: ‘Blue Note Re:imagined’

4 years ago

Blue Note has a more important discography than almost any label in the history of jazz, encompassing decades of some…