A History of the Newport Jazz Festival – Chapter IV: Revival, 1961-1964

4 years ago

Following the riots of the prior summer, there was no Newport Jazz Festival in 1961. However, the city had not…

A History of the Newport Jazz Festival – Chapter III: Goodbye Newport Blues, 1957-1960

4 years ago

The 1957 Festival extended to four days - Thursday, July 4 to Sunday, July 7- with every minute captured by…

A History of the Newport Jazz Festival – Chapter II: Diminuendo and Crescendo, 1956

4 years ago

The 1956 Newport Jazz Festival’s schedule was adjusted slightly compared to the prior two outings. While still a three-day event…

A History of the Newport Jazz Festival – Chapter I: A New Tradition, 1954-1955

4 years ago

By 9:18 PM on the evening of July 17, 1954, Eddie Condon’s tribute to Dixieland finally began its delayed performance.…

Review: Thumbscrew’s ‘The Anthony Braxton Project’

4 years ago

It would be hard to find a trio better equipped to tackle an entire album of saxophonist Anthony Braxton's compositions…

A History of the Newport Jazz Festival – Prologue: Born in Storyville, 1950-1954

4 years ago

In September of 1950, twenty-four-year-old George Wein used his college savings to open a nightclub, Storyville, at Boston’s Copley Square…

Review: Gerald Clayton’s ‘Happening: Live at the Village Vanguard’

4 years ago

Pianist Gerald Clayton first came to the attention of many jazz fans by way of the late Roy Hargrove's quintet…

Musical Mentors: Gary Bartz & Maisha’s ‘Night Dreamer’ and Archie Shepp, Raw Poetic & Damu the Fudgemunk’s ‘Ocean Bridges’

4 years ago

The term “mentor” comes from a character in Homer’s Odyssey, an epic written in the 8th Century BCE. However, the…

Review: Roy Ayers, Adrian Younge & Ali Shaheed Muhammad’s ‘Roy Ayers JID 002’

4 years ago

Humanity has a longstanding fascination with incorporating the latest technological developments into music. This interest is perhaps most evident in…

Beating with Heart: Alexander Flood’s Percussive Exploration of Cultures and Technology

4 years ago

In 2015, Christian Scott Atunde Adjuah created the Stretch Music imprint with Ropeadope Records to support jazz rooted genre blind…