Rob Shepherd

Creative Necessity: A Conversation with Skerik

Since first picking up the horn in fifth grade, Skerik has charted a less traditional route for a saxophonist. While…

5 years ago

Review: Logan Richardson’s ‘Afrofuturism’

Memorial day weekend 1921 started just like any other day in the Greenwood District of Tulsa, Oklahoma. One of the…

5 years ago

Looking Within: A Conversation with Joe Dyson

Joe Dyson has established himself as one of the go to drummers for some of today's masters of the music,…

5 years ago

Moving Forward: A Conversation with Marcus Miller (Part Two)

We continue our dialogue with legendary bassist Marcus Miller with a focus on his current and more recent projects from…

5 years ago

Moving Foward: A Conversation with Marcus Miller (Part One)

Some of the greatest musical artists are those you can identify after only a few notes, whether Miles Davis' trumpet…

5 years ago

Exploring the Violin’s Versatility

Historians believe the first violin dates to sometime in the early 16th Century. Gaudenzio Ferrari’s paintings show a three-string variant…

5 years ago

Review: ‘‎R+R=Now Live’

If 2020 has shown us anything, it is how quickly circumstances can change. One day you are living your “normal”…

5 years ago

Review: Archie Shepp & Jason Moran’s ‘Let My People Go’

Albert Murray once noted that “the blues is not the creation of a crushed-spirited people [but rather] the product of…

5 years ago

Premiere: Mike Casey and Blori’s Single “Breathe In”

To those who have been paying attention to younger artists the last few years, Mike Casey should be a somewhat…

5 years ago

Review: Joe Lovano Trio Tapestry’s ‘Garden of Expression’

Neo-traditionalists like Wynton Marsalis and Stanley Crouch have long desired the classification of “jazz” as “America’s classical music.” While this…

5 years ago