Rob Shepherd

Miles Davis’ Bitches Brew 50th Anniversary Celebration- Part Three: “Jazz”

This is the penultimate chapter of our four-part series celebrating the legacy of the landmark Bitches Brew on its Fiftieth…

5 years ago

Miles Davis’ Bitches Brew 50th Anniversary Celebration- Part Two: Production

This is the second of our four-part series of lists celebrating the legacy of the landmark Bitches Brew on its Fiftieth…

5 years ago

Miles Davis’ Bitches Brew 50th Anniversary Celebration- Part One: The Compositions

On March 30, 1970, Miles Davis shocked the world with his groundbreaking Bitches Brew (Columbia Records, 1970). Although the trumpeter…

5 years ago

Review: Nduduzo Makhathini’s ‘Modes of Communication: Letters from the Underworlds’

Due to the nation’s rich jazz history, it may appear surprising that a 2020 release - Nduduzo Makhathini’s Modes of…

5 years ago

Review: Lakecia Benjamin’s ‘Pursuance: The Coltranes’

In the over fifty years since John Coltrane’s death, dozens, if not hundreds, of recordings have honored his artistic genius.…

5 years ago

Review: Hailu Mergia’s ‘Yene Mircha (የኔ ምርጫ)’

In January 2013, Brian Shimkovitz, the head of Awesome Tapes From Africa, found a cassette tape in a shop in…

5 years ago

Review: Charles Lloyd’s ‘8: Kindred Spirits (Live from the Lobero)’

For one unfamiliar with Charles Lloyd’s illustrious discography, an octogenarian NEA Jazz Master may seem like an odd focal point…

5 years ago

Review: George Burton’s ‘Reciprocity’

Ralph Waldo Emerson once noted that “to be yourself in a world that is constantly trying to make you something…

5 years ago

Five Genre-Defying Selections from the Newport Jazz Festival’s First Wave of 2020 Performers

The historic Newport Jazz Festival has released a list of 36, out of approximately 60, groups which will appear across…

5 years ago

Review: Kassa Overall’s ‘I THINK I’M GOOD’

The human brain is incredibly powerful. It controls every function of our bodies, allows us to reason, and permits us…

5 years ago