Album Reviews

Review: Ivo Perelman and the Matthew Shipp String Trio’s ‘Armageddon Flower’

If you have not yet read the two-part interview with saxophonist Ivo Perelman and pianist Matthew Shipp regarding Armageddon Flower…

1 year ago

Review: Isaiah J. Thompson’s ‘The Book of Isaiah: Modern Jazz Ministry’

My review of emerging piano great Isaiah J. Thompson’s Power of the Spirit (Blue Engine, 2023) ended thusly: “a must-have…

1 year ago

Review: Ches Smith’s ‘Clone Row’

One never knows where drummer-composer Ches Smith’s muse will take him next. From the Haitian voudou of We All Break:…

1 year ago

Review: ‘Quantum Blues’

There are widely publicized and wildly anticipated supergroups, and then there are those - at least a few - that…

1 year ago

Review: Nels Cline’s ‘Consentrik Quartet’

Considering guitarist Nels Cline's history, it's no surprise that the music of the Consentrik Quartet occasionally has shades of rock.…

1 year ago

Review: Michel Petrucciani’s ‘Jazz Club Montmartre – CPH 1988’

Michel Petrucciani exploded onto the North American consciousness in 1982 when he persuaded Charles Lloyd to come out of a…

2 years ago

Review: Milton Nascimento and esperanza spalding’s ‘Milton + esperanza’

esperanza spalding has made no secret of her love for Milton Nascimento’s music. Her sophomore album features a spirited rendition…

2 years ago

Review: ‘Triple Fever’

Just when you think we’ve reached peak piano trio, a new recording arrives to demonstrate the infinite elasticity of the…

3 years ago

Review: Mary Halvorson’s ‘Cloudward’

Mary Halvorson gives a wide range of effects and musical roles to her guitar, and the result is always idiosyncratic.…

3 years ago

Review: Lucas Pino’s ‘Covers’

There are recordings that dazzle you from the first few bars—or conversely, put you off—with their audacity. Then there are…

3 years ago