Album Reviews

Review: Simón Willson’s ‘Feel Love’

In many ways, the burgeoning improvised music community in Brooklyn resembles downtown New York's loft movement of the ‘70s. But…

2 months ago

Review: John Scofield and Dave Holland’s ‘Memories of Home’

Guitarist John Scofield and NEA Jazz Master bassist Dave Holland are not only both masters of their respective instruments but…

3 months ago

Review: Billy Hart’s ‘Multidirectional’

Over the past six months, several NEA Jazz Masters - all of them octogenarian, or close to - have released…

3 months ago

Review: Lina Allemano Four’s ‘The Diptychs’

Give the devil of algorithmic media its due for knowing things about you that you never suspected. Who knew, for…

3 months ago

Review: Mark Turner’s ‘Reflections on: The Auto-Biography of an Ex-Colored Man’

A more cerebral artist, saxophonist and composer Mark Turner, never makes it too easy for the listener. However, he may…

3 months ago

Review: Thomas Morgan’s ‘Around You is a Forest’

As evidenced by two recent collaborations with Wadada Leo Smith, Jakob Bro’s Loveland Music, is releasing some of the most…

3 months ago

Review: Chad Taylor’s ‘Smoke Shifter’

Drummer Chad Taylor is perhaps best known for his work as a sideman for the likes of James Brandon Lewis, Marc Ribot, Luke…

3 months ago

Review: Pat Thomas’ ‘Hikmah’

Hikmah (TAO Forms) is the solo album from [Ahmed]’s virtuoso pianist Pat Thomas, whom Matthew Shipp has identified in his…

3 months ago

Review: For Living Lovers’ ‘Natural Name’

Natural Name (Sunnyside, 2025) is the second album by For Living Lovers, the acoustic duo of guitarist Brandon Ross and…

3 months ago

Review: Domo Branch’s ‘Hands of Gifts’

The gratitude of drummer-composer Domo Branch, an in-demand rising star of contemporary jazz, is evident in many ways as on…

3 months ago