Album Reviews

Review: Shuteen Erdenebaatar and Nils Kugelmann’s ‘Under the Same Stars’

Under the Same Stars (Motéma, 2025) is the second installment of Mongolian-born and Germany-based pianist-composer Shuteen Erdenebaatar’s planned trilogy drawing…

4 months ago

Review: Nicole Zuraitis’ ‘Live at Vic’s Las Vegas’

Go ahead and try this - Ask your friends who the most prominent female jazz vocalists have been in the…

4 months ago

Review: Dave Douglas’ ‘Alloy’

With Alloy (Greenleaf, 2025), trumpeter, composer, and forward thinker Dave Douglas unveils his latest unique ensemble. Joined by two young…

4 months ago

Review: ‘George Coleman with Strings’

There are no written rules for NEA Jazz Masters. Clearly, they have earned the right to undertake their long-dreamed-of projects.…

4 months ago

Review: Lucian Ban, Mat Maneri, and John Surman’s ‘Cantica Profana – The Béla Bartók Field Recordings’

Despite its jagged start, listen to Cantica Profana - The Béla Bartók Field Recordings (Sunnyside, 2025) its whole way through…

5 months ago

Review: Fieldwork’s ‘Thereupon’

Fresh off their appearance at the Big Ears Festival,  which this author unfortunately missed, the trio Fieldwork return with their…

5 months ago

Review: Caelan Cardello’s ‘Chapter One’

Caelan Cardello is breaking out. As part of vocalist Tyreek McDole's backing quartet at this summer’s Newport Jazz Festival, the…

5 months ago

Review: Miguel Zenon Quartet’s ‘Vanguardia Subterránea: Live at the Village Vanguard’

Vanguardia Subterránea: Live at the Village Vanguard (Miel Music, 2025) is alto saxophonist-composer Miguel Zenón’s first live album with his…

5 months ago

Review: Jacob Garchik’s ‘Ye Olde 2: At The End of Time’

Strap yourself in for an exhilarating ride. Trombonist and composer Jacob Carchik’s Ye Olde 2: At the End of Time…

5 months ago

Review: Linda May Han Oh’s ‘Strange Heavens’

The comparison of a familiar hell to a strange heaven drives Australian-born bassist and composer Linda May Han Oh’s thinking…

5 months ago