Album Reviews

Review: Henry Threadgill’s ‘Listen Ship’

Audiences who saw artist-in-residence Henry Threadgill at Big Ears in 2024 were enthralled with five performances, each featuring a different…

4 months ago

Review: Carmen Staaf’s ‘Sounding Line’

Carmen Staaf’s Sounding Line (Sunnyside, 2025) is the second album recently covered on this site that envisions a conversation between…

5 months ago

Review: Gary Bartz’s ‘The Eternal Tenure of Sound: Damage Control’

One of our few links to bands of Miles, McCoy Tyner, Pharaoh Sanders, Lee Morgan, and Roy Hargrove, NEA Jazz…

5 months ago

Review: Charlie Rouse’s ‘Cinnamon Flower: The Expanded Edition’

This is the year that some of us learned that tenor saxophonist Charlie Rouse was a leader of other bands…

5 months ago

Review: Patricia Brennan’s ‘Of the Near and Far’

A fierce expansion on the percussive focus of More Touch (Pyroclastic Records, 2022) and the addition of intricate saxophone parts…

5 months ago

Review: Shuteen Erdenebaatar and Nils Kugelmann’s ‘Under the Same Stars’

Under the Same Stars (Motéma, 2025) is the second installment of Mongolian-born and Germany-based pianist-composer Shuteen Erdenebaatar’s planned trilogy drawing…

5 months ago

Review: Nicole Zuraitis’ ‘Live at Vic’s Las Vegas’

Go ahead and try this - Ask your friends who the most prominent female jazz vocalists have been in the…

5 months ago

Review: Dave Douglas’ ‘Alloy’

With Alloy (Greenleaf, 2025), trumpeter, composer, and forward thinker Dave Douglas unveils his latest unique ensemble. Joined by two young…

5 months ago

Review: ‘George Coleman with Strings’

There are no written rules for NEA Jazz Masters. Clearly, they have earned the right to undertake their long-dreamed-of projects.…

5 months ago

Review: Lucian Ban, Mat Maneri, and John Surman’s ‘Cantica Profana – The Béla Bartók Field Recordings’

Despite its jagged start, listen to Cantica Profana - The Béla Bartók Field Recordings (Sunnyside, 2025) its whole way through…

5 months ago