Album Reviews

Review: Lina Allemano Four’s ‘The Diptychs’

Give the devil of algorithmic media its due for knowing things about you that you never suspected. Who knew, for…

6 months ago

Review: Mark Turner’s ‘Reflections on: The Auto-Biography of an Ex-Colored Man’

A more cerebral artist, saxophonist and composer Mark Turner, never makes it too easy for the listener. However, he may…

6 months ago

Review: Thomas Morgan’s ‘Around You is a Forest’

As evidenced by two recent collaborations with Wadada Leo Smith, Jakob Bro’s Loveland Music, is releasing some of the most…

6 months ago

Review: Chad Taylor’s ‘Smoke Shifter’

Drummer Chad Taylor is perhaps best known for his work as a sideman for the likes of James Brandon Lewis, Marc Ribot, Luke…

6 months ago

Review: Pat Thomas’ ‘Hikmah’

Hikmah (TAO Forms) is the solo album from [Ahmed]’s virtuoso pianist Pat Thomas, whom Matthew Shipp has identified in his…

6 months ago

Review: For Living Lovers’ ‘Natural Name’

Natural Name (Sunnyside, 2025) is the second album by For Living Lovers, the acoustic duo of guitarist Brandon Ross and…

6 months ago

Review: Domo Branch’s ‘Hands of Gifts’

The gratitude of drummer-composer Domo Branch, an in-demand rising star of contemporary jazz, is evident in many ways as on…

6 months ago

Review: Bob Schlesinger’s ‘Falling From Earth’

To say that Colorado-based pianist/composer Bob Schlesinger’s Falling from Earth (Digmatic, 2025) was a long time coming is a vast…

6 months ago

Review: Jakob Bro’s ‘Murasaki’ and ‘The Montclair Sessions’

Danish guitarist Jakob Bro is the owner of the Copenhagen-based Loveland Records,, a label issuing two albums within a month…

6 months ago

Review: Armen Donelian’s ‘Stargazer’

Stargazer (Sunnyside, 2025) is a reissue of an album by a trio of pianist Armen Donelian with bassist Eddie Gomez…

6 months ago