For Those Who Need to Hear It: A Conversation with Chris Weller on Hanging Hearts

7 months ago

The great Cameroonian musician Manu Dibango once sagely noted that “Although music is business, [] you don't start thinking about…

Review: Joshua Redman’s ‘Words Fall Short’

7 months ago

Joshua Redman did not follow suit after his first vocal album, where are we (Blue Note, 2024).  Sure, vocalist Gabrielle…

Review: Matthew Shipp’s ‘The Cosmic Piano’

7 months ago

Pianist and composer Matthew Shipp seems to be garnering as much publicity for his criticisms of André 3000’s piano album…

Review: Ivo Perelman and the Matthew Shipp String Trio’s ‘Armageddon Flower’

7 months ago

If you have not yet read the two-part interview with saxophonist Ivo Perelman and pianist Matthew Shipp regarding Armageddon Flower…

Trusting Fate: A Conversation with Brandee Younger

7 months ago

Across cultures and ages, the harp has long been associated with peace and tranquility. Its light tones are painted as…

Letting the Spirit In: A Conversation with Amina Claudine Myers on ‘Solace of the Mind’

7 months ago

In a music so heavily built around collective communication, there is something inherently special about a solo performance. Far too…

Past, Present, and Future: Day One of the 2024 Newport Jazz Festival

7 months ago

One criticism occasionally levied against the more recent editions of the iconic Newport Jazz Festival is that it somehow abandoned…

Review: Isaiah J. Thompson’s ‘The Book of Isaiah: Modern Jazz Ministry’

7 months ago

My review of emerging piano great Isaiah J. Thompson’s Power of the Spirit (Blue Engine, 2023) ended thusly: “a must-have…

Giving Up Control: A Conversation with Ivo Perelman and Matthew Shipp on ‘Armageddon Flower’ (Part Two)

8 months ago

We continue our conversation with Ivo Perelman and Matthew Shipp on ‘Armageddon Flower’ (TAO Forms, 2025). You can read Part…

Giving Up Control: A Conversation with Ivo Perelman and Matthew Shipp on ‘Armageddon Flower’ (Part One)

8 months ago

In Lonely on the Mountain (Bantam, 1980), Western novelist Louis L’Amour wisely noted that "there will come a time when…