The Cellar Door Sessions at Fifty-Five: An Introduction

4 weeks ago

Fifty-five years ago this week, Miles Davis brought a new-ish band into Washington D.C.’s Cellar Door club for a four-night…

EIC Rob Shepherd’s Favorite Albums of 2025

1 month ago

2025 was a year of great growth for our site. In addition to Brian Kiwanuka and John Chacona’s reviews, friend…

PostGenre’s Best of 2025

1 month ago

Deeming any album the "best" of a given year is inherently fraught with problems. First, there are the logistical issues.…

Review: Jerome Sabbagh’s ‘Stand Up!’

1 month ago

Over the last few years, tenor saxophonist Jerome Sabbagh has released recordings thst featured his dulcet tones with several jazz elders…

Living Proof of the Same Cell: A Conversation with Lucian Ban and Mat Maneri on ‘Cantica Profana’ and ‘The Athenaeum Concert’

1 month ago

Folk music is often broadly defined as being a music “of the people.” But what does that really mean? Of…

Review: Bill Ware and the Club Bird All Stars’ ‘Martian Sunset’

1 month ago

The vibraphonist Bill Ware is perhaps best known for his work with The Jazz Passengers and Groove Collective. He has…

Review: John O’Gallagher’s ‘Ancestral’

2 months ago

With Ancestral (Whirlwind, 2025), alto saxophonist and composer John O'Gallagher explores the late-period work of John Coltrane, specifically Interstellar Space…

Review: Simón Willson’s ‘Feel Love’

2 months ago

In many ways, the burgeoning improvised music community in Brooklyn resembles downtown New York's loft movement of the ‘70s. But…

Review: John Scofield and Dave Holland’s ‘Memories of Home’

2 months ago

Guitarist John Scofield and NEA Jazz Master bassist Dave Holland are not only both masters of their respective instruments but…

The Willpower of Notes: A Conversation with Eyvind Kang on ‘Riparian’

2 months ago

Over the last half-century, a growing number of artists and theorists have explored the concept of ecomusicology, a theoretical approach…