Review: Shuteen Erdenebaatar and Nils Kugelmann’s ‘Under the Same Stars’

4 months ago

Under the Same Stars (Motéma, 2025) is the second installment of Mongolian-born and Germany-based pianist-composer Shuteen Erdenebaatar’s planned trilogy drawing…

Review: Nicole Zuraitis’ ‘Live at Vic’s Las Vegas’

4 months ago

Go ahead and try this - Ask your friends who the most prominent female jazz vocalists have been in the…

Review: Dave Douglas’ ‘Alloy’

4 months ago

With Alloy (Greenleaf, 2025), trumpeter, composer, and forward thinker Dave Douglas unveils his latest unique ensemble. Joined by two young…

Folklore: A Conversation with Ben LaMar Gay

4 months ago

In a musical environment that too often propagates concepts of genre, one label in particular often stands out as problematic:…

Review: ‘George Coleman with Strings’

4 months ago

There are no written rules for NEA Jazz Masters. Clearly, they have earned the right to undertake their long-dreamed-of projects.…

Keeping the Roots Growing: A Conversation with Kassa Overall

4 months ago

Here is a fun exercise for a reader’s consideration. Consider these two quotes: “[It is] just a bunch of notes…

Finding Deep Space: A Conversation with Nils Petter Molvær

4 months ago

Although instruments like the Teleharmonium plugged in as early as the late Nineteenth Century, it was not until the 1970s…

Review: Lucian Ban, Mat Maneri, and John Surman’s ‘Cantica Profana – The Béla Bartók Field Recordings’

4 months ago

Despite its jagged start, listen to Cantica Profana - The Béla Bartók Field Recordings (Sunnyside, 2025) its whole way through…

Review: Fieldwork’s ‘Thereupon’

5 months ago

Fresh off their appearance at the Big Ears Festival,  which this author unfortunately missed, the trio Fieldwork return with their…

Review: Caelan Cardello’s ‘Chapter One’

5 months ago

Caelan Cardello is breaking out. As part of vocalist Tyreek McDole's backing quartet at this summer’s Newport Jazz Festival, the…