Categories: Uncategorized

A History of the Newport Jazz Festival – Chapter XVI: A Brother Mister Jawn, 2016-2025

Stay tuned for a retrospective of the Newport Jazz Festival under the artistic direction of Christian McBride, covering 2016 to 2025. In the interim, below is the material covered for much of that period, 2021 to 2025.

Rob Shepherd

Rob Shepherd is the founder, CEO, editor-in-chief and head writer of PostGenre. He is a proud member of the Jazz Journalists Association. Rob also contributed to Jazz Speaks, the official blog of The Jazz Gallery and has also so written for All About Jazz and Nextbop. Rob is also a Tax and Estate Planning Attorney and CPA.

Recent Posts

Review: Marilyn Crispell, Kirk Knuffke, and Thommy Andersson’s ‘Paintbrush’

Paintbrush (Sunnyside, 2026)  is a drumless trio rendered unusually by cornet, bass, and piano. The…

17 hours ago

Hit You in Your Heart: A Conversation with Elena Pinderhughes

The idea of “jazz flute” too often carries a bad reputation in the public consciousness.…

3 days ago

Review: Kris Davis Trio’s ‘Lost in Geneva’

Lost in Geneva (4166, 2026) is only the second album - the first for the…

1 week ago

The Beauty When It Starts Blossoming: A Conversation with James Brandon Lewis on ‘Calling Antonín’

In 1957, composer-educator Gunther Schuller coined the term “Third Stream” to describe music that fully…

2 weeks ago

Review: Matt Wilson’s Good Trouble’s ‘Love is the Whole Thing, We are Only Pieces’

Drummer Matt Wilson's frequent playfulness often masks the seriousness of the protest and communal causes…

2 weeks ago

Review: Bright Dog Red’s ‘Luck Would Have It’

Cohesive and fluid are not words most would associate with the wild, spontaneous collective Bright…

2 weeks ago