Categories: Album Reviews

Review: Miroslav Vitous’s ‘Mountain Call’

With Mountain Call (ECM, 2026), Miroslav Vitous suddenly reemerges on Manfred Eicher’s label after a decade long absence. During the interim, he focused on orchestral sampling software and also released five albums on other labels, with the most recent coming out in 2018. While the bassist is no stranger to working with other labels; after all, he was in the original version of Weather Report, which recorded for Columbia and a trio member with Chick Corea and Roy Haynes in Now He Sings, Now He Sobs (Solid State, 1968). But from his trio with Jack DeJohnette and guitarist Terje Rypdal in the late ‘70s, he also has a special connection with ECM. Mountain Call finds Vitous in luminous company once again, joined primarily by DeJohnette and the French reedist Michel Portal, who plays clarinet and bass clarinet. Other contributors who appear on the back half of the record include esperanza spalding, Bob Mintzer, Gary Campbell, and Gerald Cleaver. Members of the Czech National Symphony Orchestra also appear on one track. While a new release, it is not a recent recording, with sessions taking place between 2003 and 2010. 

Mountain Call showcases Vitous’s talents as an improviser, composer, and arranger. But it also highlights his place as a pioneer of creative sampling technology, blending live performance with orchestral samples and layered textures. Eight of the relatively brief eighteen tracks are improvised duo renderings between Vitous and Portal. Portal, hailing from a classical background, has worked with major composers such as Pierre Boulez, Luciano Berio, and Karlheinz Stockhausen and shares an adventurous spirit with the leader on the first four tracks: “New Energy,” “Second Touch,” “On the Way,” and “Unexpected Solutions.” Portal plays clarinet on all four, forging sterling, spontaneous interplay with Vitous’s double bass, producing a stark contrast between the high end and low end while pairing an airy instrument with a thick one.  On the other hand, two low-end instruments engage in riveting dialogues on four other tracks where Portal plays bass clarinet. The highlight of these is the closing title track, full of drama and tension as Vitous plays the arco bass in response to Portal’s evocative lines.

As for his work with DeJohnette, Vitous collaborated with the drummer on five pieces for the album.  “Tribal Dance” is a duet that spotlights their individual talents and natural intuitive sense of dialogue. As often noted, DeJohnette is also a pianist, and his sense for melody is evident on the drum kit here. “Epilog,” with Vitous on both pizzicato and arco, is also a duet augmented by his famed orchestral sampling. Finally, the leader composed the three-part “Evolution,” featuring the duo with Bob Mintzer, who previously collaborated with Vitous on Vitous’s Universal Syncopations II (ECM, 2007), on bass clarinet and members of the Czech National Symphony Orchestra. DeJohnette takes a brief drum solo on the third piece, “Fulfillment Final.” Notable is the different expression in Mintzer’s bass clarinet compared to Portal’s.

Mountain Call’s remaining five pieces are entirely different from the rest of the album. “Rhapsody” features vocalist esperanza spalding’s mostly wordless vocals over an accompaniment of Gary Campbell on soprano and tenor saxophones,Vitous, and Gerald Cleaver on drums. Again, the piece is enhanced by orchestral sampling.  The standout “Fun and Games,” finds spalding and Campbell’s soprano, engaging in call-and-response dialogues. Cleaver’s kit work on the varies from subtlety to vicious power. This suite is most representative of Vitous’s late career work, where his orchestral layering adds so many colors.

Mountain Call could easily be entitled “The Many Sides of Miroslav Vitous” as it encompasses his breadth of improvisation, composition, and orchestral sampling. It is reassuring to hear his voice again.

‘Mountain Call’ will be released on March 27, 2026 on ECM Records. It is available directly from the label.

Photo credit: Roberto Masotti, ECM Records

Jim Hynes

Jim Hynes has been broadcasting and/or writing about blues, jazz, and roots music for over four decades. He’s interviewed well over 700 artists and currently writes for four other publications besides this one. His blues columns and interviews can be found in Elmore and Glide Magazines.

View Comments

  • I like this record very much. Intriguing how much must be in the ECM vaults awaiting the light of day. The Jakob Bro release from 2024 with Frisell, Konitz, Thomas Morgan, Andrew Cyrille, and Jason Moran was recorded in 2014.

Recent Posts

Review: Lakecia Benjamin’s ‘We Dream’

 We begin with a question. When is the optimal time for a rising artist to…

2 days ago

Review: Steven Bernstein’s ‘ResoNation Trio’ and ‘Ultra Resonance’

Trumpeter. Composer. Bandleader. Arranger. Conductor. Steven Bernstein is many things, with those five descriptors only scratching…

5 days ago

Unlimited World of Possibilities: A Conversation with Joe Morris (Part Two)

We continue with the second half (read part one here) of our conversation with Joe…

6 days ago

Unlimited World of Possibilities: A Conversation with Joe Morris (Part One)

As if it were not enough for many to so willingly force music into genre-labeled…

1 week ago

Review: Ambrose Akinmusire and Mary Halvorson’s ‘Slo-Mo Neon Luminate Hoverings’

The pairing of trumpeter/composer Ambrose Akinmusire and guitarist/composer Mary Halvorson seems almost pre-destined. They are…

1 week ago

Review: Alvaro Torres Trio’s ‘Mairena’

Since 2023, the Alvaro Torres trio - pianist Torres, bassist Masa Kamaguchi, and drummer Kresten…

2 weeks ago