improvisation

Review: Lakecia Benjamin’s ‘We Dream’

 We begin with a question. When is the optimal time for a rising artist to invite a bevy of guests…

3 days ago

Unlimited World of Possibilities: A Conversation with Joe Morris (Part Two)

We continue with the second half (read part one here) of our conversation with Joe Morris to discuss some of…

1 week ago

Review: Shawn Lovato’s ‘Biotic’

On Biotic (Endectomorph, 2026), his third record as a leader, bassist-composer Shawn Lovato leads a chordless saxophone trio that blurs…

4 months ago

Intervention and Observation: A Conversation with Mariel Roberts Musa on ‘Sunder’

Unlock the power of 'Sunder,' a groundbreaking work where Mariel Roberts challenges herself to compose for an instrument that amplifies…

5 months ago

Review: Dave Douglas’s ‘Four Freedoms’

Delve into 'Four Freedoms,' an album that reinterprets Roosevelt's 'Four Freedoms' through Dave Douglas's visionary music. Featuring Marta Warelis, Nick…

5 months ago

Review: ‘Take A.M.E.’

The eponymous Take A.M.E. is the debut from a trio co-led by three artists based in New York City - alto saxophonist…

5 months ago

Echoes of Chickadee Valley: A Conversation with Christopher Hoffman on ‘Rex’

Explore the remarkable life of Rex Brasher, whose unparalleled dedication to bird painting pushed boundaries. Hoffman's album, *Rex*, beautifully reflects…

5 months ago

Quest for Magic: A Conversation with Paul Winter on Earth Music and ‘Horn of Plenty’

The most common defense for insisting on genre classifications is that it “simplifies” discussions about music. According to Kelefa Sanneh,…

6 months ago

Review: Simón Willson’s ‘Feel Love’

In many ways, the burgeoning improvised music community in Brooklyn resembles downtown New York's loft movement of the ‘70s. But…

7 months ago