jazz

Review: Lakecia Benjamin’s ‘We Dream’

 We begin with a question. When is the optimal time for a rising artist to invite a bevy of guests…

3 days ago

Review: Harry Skoler’s ‘Echoes’

Despite the instrument‘s long history in improvised music, the clarinet is often still an outlier instrument in contemporary jazz. Yet,…

3 weeks ago

Review: New Jazz Underground’s ‘Hoodies’

The chordless trio, and especially the saxophone trio, continues to thrive in increasingly adventurous ways. New Jazz Underground (“NJU”), a…

4 weeks ago

Review: Chris Potter’s ‘Alive with Ghosts Today’

Most listeners don’t necessarily associate saxophonist and composer Chris Potter’s work as sociologically or historically focused. Yet, the saxophonist played a…

1 month ago

Review: Reverso’s ‘Between Two Silences’

If there was ever a prototypical album to fit this site’s subhead, “Music Beyond Category”, Reverso’s Between Two Silences (Alternate…

1 month ago

Review: Gregory Hutchinson’s ‘Kind of Now: The Pulse of Miles Davis’

Just about everywhere you turn in the jazz universe in 2026, there are albums and tours celebrating the centennial birthdates…

2 months ago

Electrical Field of Love: A Conversation with Harriet Tubman (Brandon Ross, Melvin Gibbs, J.T. Lewis) and Georgia Anne Muldrow (Part One)

Freedom is an inescapable part of the history of Black American music, as the yearning for such is an essential…

4 months ago

Review: Ben Wendel’s ‘BaRcoDe’

Given his penchant for unique projects, it is nearly impossible to predict what saxophonist, composer, and sound architect Ben Wendel…

4 months ago

Taking the Journey: A Conversation with Shabaka on ‘Of the Earth’

Artistic expression has a fascinating duality between isolationism and communal creation. There is a romanticized archetype of the lone creator.…

4 months ago

Review: Shawn Lovato’s ‘Biotic’

On Biotic (Endectomorph, 2026), his third record as a leader, bassist-composer Shawn Lovato leads a chordless saxophone trio that blurs…

4 months ago