Categories: Album Reviews

Review: Thumbscrew’s ‘Never is Enough’

It hasn’t even been a year since Thumbscrew released their superb record in tribute to Anthony Braxton, but the trio is already back with Never Is Enough (Cuneiform Records, 2021). Braxton’s influence is still apparent, especially in the more rigid moments, but this album is a completely different experience. For much of the runtime, the trio opts for a more contemplative approach. Listening to it, it’s easy to see why Tomas Fujiwara (drums), Mary Halvorson (guitar), and Michael Formanek (bass) have become constant fixtures in the avant-garde jazz scene. 

The album is full of intriguingly warped beauty, with the Halvorson-composed “Heartdrop” being a prime example. The track has the guitarist in mesmerizing form, wielding a combination of smooth technique and bent effects to craft a gorgeous theme. From Fujiwara’s understated brushwork to Halvorson and Formanek’s classy solos – everything about “Heartdrop” emits a captivating elegance. Fujiwara’s “Unsung Procession” is another brilliantly reserved exercise where bells and the hiss of the drummer’s brush are key to the spacey atmosphere. Formanek and Halvorson play with a calm, impressive connection, moving between reflecting and shadowing each other before both take great solos. 

Much of Never Is Enough is patient, but that does not mean any of the usual fire has left this inventive trio. Halvorson’s rock-infused “Sequel To Sadness” is driven by an icy sequence of guitar chords that manages to be stern and catchy at the same time. Formanek’s “Never Is Enough” begins in a relatively minimalist fashion and ends in a storm. Fujiwara becomes increasingly more thunderous as Halvorson’s distortion-drenched guitar cuts through the chaos. It’s a fantastic song that suggests that Thumbscrew could probably dabble in psychedelic metal if they wanted to. 

Never Is Enough is another strong showing by Thumbscrew. The album has an interesting range of styles that includes Braxton-like dexterity (“Through An Open Window”) and twinkling passages of otherworldly darkness (“Scam Likely”). This is the perfect starting point for those unfamiliar with the trio’s work – and fans will not be disappointed. 

[bandcamp width=100% height=120 album=1157502939 size=large bgcol=ffffff linkcol=0687f5 tracklist=false artwork=small]

Tracklist: 1. Camp Easy; 2. Sequel to Sadness; 3. Never is Enough; 4. Through an Open Window; 5. Heartdrop; 6. Emojis Have Consequences; 7. Fractured Sanity; 8. Unsung Procession, 9. Scam Likely.

Personnel: Tomas Fujiwara (drums), Mary Halvorson (guitar), Michael Formanek (double bass and electric bass).

Brian Kiwanuka

Brian Kiwanuka is a writer‚ attorney and music nerd but not in that order. He digs OutKast‚ Alice Coltrane and Stevie Wonder and occasionally subjects his friends to detailed rants about music. You can check out more of his writing on 93 Million Miles Above

View Comments

Recent Posts

Review: Linda Sikhakhane’s ‘LINDA’

With LINDA (Blue Note, 2026), acclaimed South African saxophonist and composer Linda Sikhakhane delivers his…

7 days ago

Vehicle: A Conversation with Arturo Sandoval

In his autobiography, Music is My Mistress (Da Capo, 1973), Duke Ellington stated that “Jazz…

1 week ago

Beyond Space and Time: A Conversation with Charles Lloyd

It becomes far too easy to focus on the here and now. It is easy…

2 weeks ago

Review: Sullivan Fortner’s ‘Leave That in There’

An indelible memory of Sullivan Fortner comes from the 2023 Blue Note at Sea, when…

2 weeks ago

Creating Beyond the Performance: A Conversation with Red Hook Records’ Sun Chung

The technical definition of a music producer is someone who “oversees and manages the creative…

2 weeks ago

Review: Rob Dixon’s ‘Naptown Soul’

When one thinks of the improvised music powerhouse cities of the Midwest, Chicago and Detroit…

2 weeks ago