Front-Row Seat: A Conversation with Jason Miles

12 months ago

By the early 1980s, artists had too much freedom to express themselves through sound. The consequences of avant-garde experimentalism were…

Subliminal Input: A Conversation with Jon Irabagon on ‘Server Farm’

1 year ago

Computer scientist Alan Kay once noted, “Some people worry that artificial intelligence will make us feel inferior, but then, anybody…

Bloom: A Conversation with Ellen Fullman and Theresa Wong

1 year ago

Western music is built around concepts of melody and harmony - the idea that one form of sonic expression should…

Protecting the History: A Conversation with Ebo Taylor

1 year ago

Many define “jazz” as the meeting of African rhythms and European harmonies. In a sense, this narrative is accurate -…

Review: Michel Petrucciani’s ‘Jazz Club Montmartre – CPH 1988’

1 year ago

Michel Petrucciani exploded onto the North American consciousness in 1982 when he persuaded Charles Lloyd to come out of a…

Sound Navigation: A Conversation with Ava Mendoza on ‘The Circular Train’

1 year ago

The process of mining - digging deep into the earth to find an essential material - dates back at least…

Always There: A Conversation with George Burton

1 year ago

Far too often, people tend to compartmentalize and localize matters of concern. However, such an approach minimizes the true scale…

Anthony Dean-Harris’ Favorite Albums of 2024

1 year ago

[Editor’s Note: We are excited to have Anthony Dean-Harris join us again for our year-end lists. Anthony is a longtime…

Rob Shepherd’s Favorite Albums of 2024

1 year ago

In pieces reviewing a year past, writers often try to find a few narratives and blanketly apply them. The problem…

Going Beyond What We Know: A Conversation with Evan Parker and Matt Wright on Trance Map

1 year ago

In the late 1850s, two decades before Thomas Edison’s phonograph, French inventor Édouard-Léon Scott de Martinville created the first sound…