Review: Mark Turner’s ‘Reflections on: The Auto-Biography of an Ex-Colored Man’

3 months ago

A more cerebral artist, saxophonist and composer Mark Turner, never makes it too easy for the listener. However, he may…

Review: Thomas Morgan’s ‘Around You is a Forest’

3 months ago

As evidenced by two recent collaborations with Wadada Leo Smith, Jakob Bro’s Loveland Music, is releasing some of the most…

La Belle Ville: A Conversation with David Binney and Tommy Crane on ‘The Isle’

3 months ago

Music has always pulsed through Montréal’s DNA, from its origins to the present. Legend tells that when the city's founder,…

Review: Chad Taylor’s ‘Smoke Shifter’

3 months ago

Drummer Chad Taylor is perhaps best known for his work as a sideman for the likes of James Brandon Lewis, Marc Ribot, Luke…

Review: Pat Thomas’ ‘Hikmah’

3 months ago

Hikmah (TAO Forms) is the solo album from [Ahmed]’s virtuoso pianist Pat Thomas, whom Matthew Shipp has identified in his…

Review: For Living Lovers’ ‘Natural Name’

3 months ago

Natural Name (Sunnyside, 2025) is the second album by For Living Lovers, the acoustic duo of guitarist Brandon Ross and…

Touching the Purple Haze: A Conversation with Stanley Jordan on Reimagining Jimi Hendrix

3 months ago

Often, emphasis on genre improperly discards the lines of influence that transcend imposed stylistic segmentations. No artistic expression exists solely…

Review: Domo Branch’s ‘Hands of Gifts’

3 months ago

The gratitude of drummer-composer Domo Branch, an in-demand rising star of contemporary jazz, is evident in many ways as on…

Review: Bob Schlesinger’s ‘Falling From Earth’

3 months ago

To say that Colorado-based pianist/composer Bob Schlesinger’s Falling from Earth (Digmatic, 2025) was a long time coming is a vast…

Review: Jakob Bro’s ‘Murasaki’ and ‘The Montclair Sessions’

4 months ago

Danish guitarist Jakob Bro is the owner of the Copenhagen-based Loveland Records,, a label issuing two albums within a month…