Review: ‘George Coleman with Strings’

3 months ago

There are no written rules for NEA Jazz Masters. Clearly, they have earned the right to undertake their long-dreamed-of projects.…

Keeping the Roots Growing: A Conversation with Kassa Overall

3 months ago

Here is a fun exercise for a reader’s consideration. Consider these two quotes: “[It is] just a bunch of notes…

Finding Deep Space: A Conversation with Nils Petter Molvær

3 months ago

Although instruments like the Teleharmonium plugged in as early as the late Nineteenth Century, it was not until the 1970s…

Review: Lucian Ban, Mat Maneri, and John Surman’s ‘Cantica Profana – The Béla Bartók Field Recordings’

3 months ago

Despite its jagged start, listen to Cantica Profana - The Béla Bartók Field Recordings (Sunnyside, 2025) its whole way through…

Review: Fieldwork’s ‘Thereupon’

3 months ago

Fresh off their appearance at the Big Ears Festival,  which this author unfortunately missed, the trio Fieldwork return with their…

Review: Caelan Cardello’s ‘Chapter One’

3 months ago

Caelan Cardello is breaking out. As part of vocalist Tyreek McDole's backing quartet at this summer’s Newport Jazz Festival, the…

Review: Miguel Zenon Quartet’s ‘Vanguardia Subterránea: Live at the Village Vanguard’

3 months ago

Vanguardia Subterránea: Live at the Village Vanguard (Miel Music, 2025) is alto saxophonist-composer Miguel Zenón’s first live album with his…

Hanging in the Clouds: A Conversation with Rob Mazurek and Chad Taylor on Chicago Underground Duo

3 months ago

There is a particular power in the creation that comes out of long-term artistic relationships. While there is an excitement…

Review: Jacob Garchik’s ‘Ye Olde 2: At The End of Time’

3 months ago

Strap yourself in for an exhilarating ride. Trombonist and composer Jacob Carchik’s Ye Olde 2: At the End of Time…

Review: Linda May Han Oh’s ‘Strange Heavens’

3 months ago

The comparison of a familiar hell to a strange heaven drives Australian-born bassist and composer Linda May Han Oh’s thinking…