Review: Aruán Ortiz’s ‘Créole Renaissance’

3 months ago

The well-decorated Cuban-born, Brooklyn-based pianist Aruán Ortiz has developed his reputation in the avant-garde or free jazz world. Typically, when…

Review: Eric Alexander and Vincent Herring’s ‘Split Decision’

4 months ago

Tenorist Eric Alexander and altoist Vincent Herring celebrate the twentieth anniversary of their first saxophone ‘battle’ on Split Decision (SMOKE…

Flower in the Heart: A Conversation with Zoh Amba

4 months ago

Catholic saint Thérèse of Lisieux once stated, “If every tiny flower wanted to be a rose, spring would lose its…

Review: Adegoke Steve Colson and Iqua Colson’s ‘GLOW: Music for Trio …. Add Voice’

4 months ago

It has been quite some time since we heard from second generation AACM members  Adegoke “Ade” Steve Colson and Iqua…

Review: Josh Lawrence’s ‘Still We Dream’

4 months ago

Still We Dream (Posi-Tone, 2025) is trumpeter and composer Josh Lawrence’s seventh release for the label that prides itself on…

Review: Nicole Glover’s ‘Memories, Dreams, Reflections’

4 months ago

Portland, Oregon native and current NYC resident, tenor saxophonist Nicole Glover may be best known as a member of the…

Review: Jon Irabagon PlainsPeek’s ‘Someone to Someone’

4 months ago

Fresh off his complex project Server Farm (Irrabagast, 2025), where he led a nonet in blending electronics and hues of…

Bringing Back the Heartbeat: A Conversation with Theon Cross

4 months ago

In 1835, German instrument makers Wilhelm Wieprecht and Johann Moritz patented the first tuba as a brass instrument that could…

Review: Ron Blake’s ‘SCRATCH Band’

4 months ago

For a musician who excels in both big bands and combo settings, large and small, sometimes it’s refreshing to take…