Album Reviews

Review: Aruán Ortiz’s ‘Créole Renaissance’

The well-decorated Cuban-born, Brooklyn-based pianist Aruán Ortiz has developed his reputation in the avant-garde or free jazz world. Typically, when…

5 months ago

Review: Eric Alexander and Vincent Herring’s ‘Split Decision’

Tenorist Eric Alexander and altoist Vincent Herring celebrate the twentieth anniversary of their first saxophone ‘battle’ on Split Decision (SMOKE…

5 months ago

Review: Adegoke Steve Colson and Iqua Colson’s ‘GLOW: Music for Trio …. Add Voice’

It has been quite some time since we heard from second generation AACM members  Adegoke “Ade” Steve Colson and Iqua…

5 months ago

Review: Josh Lawrence’s ‘Still We Dream’

Still We Dream (Posi-Tone, 2025) is trumpeter and composer Josh Lawrence’s seventh release for the label that prides itself on…

5 months ago

Review: Nicole Glover’s ‘Memories, Dreams, Reflections’

Portland, Oregon native and current NYC resident, tenor saxophonist Nicole Glover may be best known as a member of the…

5 months ago

Review: Jon Irabagon PlainsPeek’s ‘Someone to Someone’

Fresh off his complex project Server Farm (Irrabagast, 2025), where he led a nonet in blending electronics and hues of…

5 months ago

Review: Ron Blake’s ‘SCRATCH Band’

For a musician who excels in both big bands and combo settings, large and small, sometimes it’s refreshing to take…

5 months ago

Review: Rachael & Vilray‘s ‘West of Broadway’

Timed nicely for their appearance at the 2025 Newport Jazz Festival, Rachael and Vilray issue their third album, West of…

6 months ago

Review: Jimmy Greene’s ‘As We Are Now’

Saxophonist and composer Jimmy Greene is recognized by many as a vital member of Ron Carter’s Foursight Quartet, which will…

6 months ago

Review: Etienne Charles’ ‘Gullah Roots’

Trumpeter/percussionist/bandleader/composer/educator Etienne Charles is mostly known for his Creole Soul band and orchestrations. On Gullah Roots (Culture Shock, 2025), the…

7 months ago