Album Reviews

Review: Etienne Charles’ ‘Gullah Roots’

Trumpeter/percussionist/bandleader/composer/educator Etienne Charles is mostly known for his Creole Soul band and orchestrations. On Gullah Roots (Culture Shock, 2025), the…

8 months ago

Review: Itai Kriss’ ‘Daybreak’

New York-based flutist Itai Kriss leads his quartet and special guests on Daybreak (JoJo, 2025), an album sequenced to follow…

8 months ago

Review: James Brandon Lewis Quartet’s ‘Abstraction Is Deliverance’

Tenor saxophonist James Brandon Lewis has established himself as the most versatile tenorist on the scene today in a relatively…

8 months ago

Review: Julian “J3PO” Pollack’s ‘Soul & Circuitry’

With Soul & Circuitry (Ropeadope, 2025), Los Angeles-based pianist/keyboardist/electronics wizard/producer Julian “J3PO” Pollack issues his second album on one of…

8 months ago

Review: Amina Claudine Myers’ ‘Solace of the Mind’

Every so often, an album moves beyond music, carrying the listener to an array of deeply reflective moods. Last year,…

8 months ago

Review: Joshua Redman’s ‘Words Fall Short’

Joshua Redman did not follow suit after his first vocal album, where are we (Blue Note, 2024).  Sure, vocalist Gabrielle…

8 months ago

Review: Matthew Shipp’s ‘The Cosmic Piano’

Pianist and composer Matthew Shipp seems to be garnering as much publicity for his criticisms of André 3000’s piano album…

8 months ago

Review: Ivo Perelman and the Matthew Shipp String Trio’s ‘Armageddon Flower’

If you have not yet read the two-part interview with saxophonist Ivo Perelman and pianist Matthew Shipp regarding Armageddon Flower…

8 months ago

Review: Isaiah J. Thompson’s ‘The Book of Isaiah: Modern Jazz Ministry’

My review of emerging piano great Isaiah J. Thompson’s Power of the Spirit (Blue Engine, 2023) ended thusly: “a must-have…

9 months ago

Review: Ches Smith’s ‘Clone Row’

One never knows where drummer-composer Ches Smith’s muse will take him next. From the Haitian voudou of We All Break:…

9 months ago