Album Reviews

Review: Jimmy Greene’s ‘As We Are Now’

Saxophonist and composer Jimmy Greene is recognized by many as a vital member of Ron Carter’s Foursight Quartet, which will…

9 months ago

Review: Etienne Charles’ ‘Gullah Roots’

Trumpeter/percussionist/bandleader/composer/educator Etienne Charles is mostly known for his Creole Soul band and orchestrations. On Gullah Roots (Culture Shock, 2025), the…

10 months ago

Review: Itai Kriss’ ‘Daybreak’

New York-based flutist Itai Kriss leads his quartet and special guests on Daybreak (JoJo, 2025), an album sequenced to follow…

10 months ago

Review: James Brandon Lewis Quartet’s ‘Abstraction Is Deliverance’

Tenor saxophonist James Brandon Lewis has established himself as the most versatile tenorist on the scene today in a relatively…

10 months ago

Review: Julian “J3PO” Pollack’s ‘Soul & Circuitry’

With Soul & Circuitry (Ropeadope, 2025), Los Angeles-based pianist/keyboardist/electronics wizard/producer Julian “J3PO” Pollack issues his second album on one of…

10 months ago

Review: Amina Claudine Myers’ ‘Solace of the Mind’

Every so often, an album moves beyond music, carrying the listener to an array of deeply reflective moods. Last year,…

10 months ago

Review: Joshua Redman’s ‘Words Fall Short’

Joshua Redman did not follow suit after his first vocal album, where are we (Blue Note, 2024).  Sure, vocalist Gabrielle…

10 months ago

Review: Matthew Shipp’s ‘The Cosmic Piano’

Pianist and composer Matthew Shipp seems to be garnering as much publicity for his criticisms of André 3000’s piano album…

11 months ago

Review: Ivo Perelman and the Matthew Shipp String Trio’s ‘Armageddon Flower’

If you have not yet read the two-part interview with saxophonist Ivo Perelman and pianist Matthew Shipp regarding Armageddon Flower…

11 months ago

Review: Isaiah J. Thompson’s ‘The Book of Isaiah: Modern Jazz Ministry’

My review of emerging piano great Isaiah J. Thompson’s Power of the Spirit (Blue Engine, 2023) ended thusly: “a must-have…

11 months ago