Album Reviews

Review: Eric Alexander and Vincent Herring’s ‘Split Decision’

Tenorist Eric Alexander and altoist Vincent Herring celebrate the twentieth anniversary of their first saxophone ‘battle’ on Split Decision (SMOKE…

10 months ago

Review: Adegoke Steve Colson and Iqua Colson’s ‘GLOW: Music for Trio …. Add Voice’

It has been quite some time since we heard from second generation AACM members  Adegoke “Ade” Steve Colson and Iqua…

10 months ago

Review: Josh Lawrence’s ‘Still We Dream’

Still We Dream (Posi-Tone, 2025) is trumpeter and composer Josh Lawrence’s seventh release for the label that prides itself on…

10 months ago

Review: Nicole Glover’s ‘Memories, Dreams, Reflections’

Portland, Oregon native and current NYC resident, tenor saxophonist Nicole Glover may be best known as a member of the…

10 months ago

Review: Jon Irabagon PlainsPeek’s ‘Someone to Someone’

Fresh off his complex project Server Farm (Irrabagast, 2025), where he led a nonet in blending electronics and hues of…

10 months ago

Review: Ron Blake’s ‘SCRATCH Band’

For a musician who excels in both big bands and combo settings, large and small, sometimes it’s refreshing to take…

10 months ago

Review: Rachael & Vilray‘s ‘West of Broadway’

Timed nicely for their appearance at the 2025 Newport Jazz Festival, Rachael and Vilray issue their third album, West of…

11 months ago

Review: Jimmy Greene’s ‘As We Are Now’

Saxophonist and composer Jimmy Greene is recognized by many as a vital member of Ron Carter’s Foursight Quartet, which will…

11 months ago

Review: Etienne Charles’ ‘Gullah Roots’

Trumpeter/percussionist/bandleader/composer/educator Etienne Charles is mostly known for his Creole Soul band and orchestrations. On Gullah Roots (Culture Shock, 2025), the…

11 months ago

Review: Itai Kriss’ ‘Daybreak’

New York-based flutist Itai Kriss leads his quartet and special guests on Daybreak (JoJo, 2025), an album sequenced to follow…

12 months ago