Album Reviews

Review: Armen Donelian’s ‘Stargazer’

Stargazer (Sunnyside, 2025) is a reissue of an album by a trio of pianist Armen Donelian with bassist Eddie Gomez…

1 year ago

Jazz Detective Zev Feldman Begins Yet Another Journey with New Imprint, Time Traveler Recordings, and Resurrecting Three Largely Forgotten Gems from the Muse Records Catalog

By now, most readers know that the Jazz Detective, Zev Feldman, does not limit his archival work to Black Friday…

1 year ago

Review: Phil Haynes & Free Country’s ‘Liberty Now!’

Drummer/composer Phil Haynes constantly leaves listeners anticipating what he will do next. In the past three years alone, he has…

1 year ago

Review: Sarah Elizabeth Charles’s ‘Dawn’

While it’s been done in pop, appearing noticeably pregnant on an album cover is a rarity for improvisation-based music. Indeed,…

1 year ago

Review: Donny McCaslin’s ‘Lullaby for the Lost’

Saxophonist-composer Donny McCaslin is determined to move way beyond conventional concepts of jazz,  jazz-rock fusion, or any label you want…

1 year ago

Review: Mike Clark’s ‘Itai Doshin’

The title of Mike Clark’s latest record, Itai Doshin (Wide Hive, 2025) comes from the drummer’s Buddhist beliefs, a worldview…

1 year ago

Review: Noah Garabedian’s ‘Quartets and Solos’

With Quartets and Solos (Contagious, 2025), bassist and composer Noah Garabedian appears for the first time on saxophonist Dayna Stephens'…

1 year ago

Review: ‘Trio of Bloom’ with Nels Cline, Craig Taborn, and Marcus Gilmore

Trio of Bloom (Pyroclastic, 2025) is the first meeting of three titans of creative music, artists to whom genres and…

1 year ago

Review: Henry Threadgill’s ‘Listen Ship’

Audiences who saw artist-in-residence Henry Threadgill at Big Ears in 2024 were enthralled with five performances, each featuring a different…

1 year ago

Review: Carmen Staaf’s ‘Sounding Line’

Carmen Staaf’s Sounding Line (Sunnyside, 2025) is the second album recently covered on this site that envisions a conversation between…

1 year ago