Album Reviews

Review: John O’Gallagher’s ‘Ancestral’

With Ancestral (Whirlwind, 2025), alto saxophonist and composer John O'Gallagher explores the late-period work of John Coltrane, specifically Interstellar Space…

10 months ago

Review: Simón Willson’s ‘Feel Love’

In many ways, the burgeoning improvised music community in Brooklyn resembles downtown New York's loft movement of the ‘70s. But…

10 months ago

Review: John Scofield and Dave Holland’s ‘Memories of Home’

Guitarist John Scofield and NEA Jazz Master bassist Dave Holland are not only both masters of their respective instruments but…

10 months ago

Review: Billy Hart’s ‘Multidirectional’

Over the past six months, several NEA Jazz Masters - all of them octogenarian, or close to - have released…

10 months ago

Review: Lina Allemano Four’s ‘The Diptychs’

Give the devil of algorithmic media its due for knowing things about you that you never suspected. Who knew, for…

10 months ago

Review: Mark Turner’s ‘Reflections on: The Auto-Biography of an Ex-Colored Man’

A more cerebral artist, saxophonist and composer Mark Turner, never makes it too easy for the listener. However, he may…

10 months ago

Review: Thomas Morgan’s ‘Around You is a Forest’

As evidenced by two recent collaborations with Wadada Leo Smith, Jakob Bro’s Loveland Music, is releasing some of the most…

10 months ago

Review: Chad Taylor’s ‘Smoke Shifter’

Drummer Chad Taylor is perhaps best known for his work as a sideman for the likes of James Brandon Lewis, Marc Ribot, Luke…

10 months ago

Review: Pat Thomas’ ‘Hikmah’

Hikmah (TAO Forms) is the solo album from [Ahmed]’s virtuoso pianist Pat Thomas, whom Matthew Shipp has identified in his…

10 months ago

Review: For Living Lovers’ ‘Natural Name’

Natural Name (Sunnyside, 2025) is the second album by For Living Lovers, the acoustic duo of guitarist Brandon Ross and…

10 months ago