Album Reviews

Review: Noah Garabedian’s ‘Quartets and Solos’

With Quartets and Solos (Contagious, 2025), bassist and composer Noah Garabedian appears for the first time on saxophonist Dayna Stephens'…

2 months ago

Review: ‘Trio of Bloom’ with Nels Cline, Craig Taborn, and Marcus Gilmore

Trio of Bloom (Pyroclastic, 2025) is the first meeting of three titans of creative music, artists to whom genres and…

2 months ago

Review: Henry Threadgill’s ‘Listen Ship’

Audiences who saw artist-in-residence Henry Threadgill at Big Ears in 2024 were enthralled with five performances, each featuring a different…

2 months ago

Review: Carmen Staaf’s ‘Sounding Line’

Carmen Staaf’s Sounding Line (Sunnyside, 2025) is the second album recently covered on this site that envisions a conversation between…

2 months ago

Review: Gary Bartz’s ‘The Eternal Tenure of Sound: Damage Control’

One of our few links to bands of Miles, McCoy Tyner, Pharaoh Sanders, Lee Morgan, and Roy Hargrove, NEA Jazz…

2 months ago

Review: Charlie Rouse’s ‘Cinnamon Flower: The Expanded Edition’

This is the year that some of us learned that tenor saxophonist Charlie Rouse was a leader of other bands…

3 months ago

Review: Patricia Brennan’s ‘Of the Near and Far’

A fierce expansion on the percussive focus of More Touch (Pyroclastic Records, 2022) and the addition of intricate saxophone parts…

3 months ago

Review: Shuteen Erdenebaatar and Nils Kugelmann’s ‘Under the Same Stars’

Under the Same Stars (Motéma, 2025) is the second installment of Mongolian-born and Germany-based pianist-composer Shuteen Erdenebaatar’s planned trilogy drawing…

3 months ago

Review: Nicole Zuraitis’ ‘Live at Vic’s Las Vegas’

Go ahead and try this - Ask your friends who the most prominent female jazz vocalists have been in the…

3 months ago

Review: Dave Douglas’ ‘Alloy’

With Alloy (Greenleaf, 2025), trumpeter, composer, and forward thinker Dave Douglas unveils his latest unique ensemble. Joined by two young…

3 months ago