Album Reviews

Review: Lucas Pino’s ‘Covers’

There are recordings that dazzle you from the first few bars—or conversely, put you off—with their audacity. Then there are…

2 years ago

Review: Kris Davis”Diatom Ribbons Live at the Village Vanguard’

On February 17, 2018, pianist Kris Davis played in the second of two concerts at Harvard University to honor the…

2 years ago

Review: David Ake’s ‘Green Thumb’

It takes daring for a producer to lead off a recording with a ballad. When that producer is Marc Free…

3 years ago

Review: Avram Fefer’s ‘Juba Lee’

F​​or the last quarter of the 20th century, Italian labels Black Saint and Soul Note issued an influential series of…

3 years ago

April 2023 Capsule Reviews

For April, Brian Kiwanuka and Rob Shepherd provide capsule reviews of four recordings by saxophonists who are pushing music in…

3 years ago

March 2023 Capsule Reviews

For March, Brian Kiwanuka and Rob Shepherd provide capsule reviews of three recordings – Cécile McLorin Salvant's Melusine (Nonesuch, 2023),…

3 years ago

February 2023 Capsule Reviews

For February - just under the wire - we provide capsule reviews of recent works with an eye towards avant-garde…

3 years ago

Review: Thumbscrew’s ‘Multicolored Midnight’

The fourth cut on Thumbscrew’s Multicolored Midnight (Cuneiform, 2022) is entitled “Shit Changes.” You don’t have to be a climate scientist or…

3 years ago

January 2023 Capsule Reviews

With the start of a new year, we also start a new feature on this site. These capsule reviews aim…

3 years ago

Review: Jussi Reijonen’s ‘Three Seconds | Kolme Toista’

"From the snowy, windswept peaks of Lapland to the desert of the Empty Quarter, Three Seconds | Kolme Toista is…

3 years ago